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Hans Belting (born 7 July 1935, Andernach) is a German art historian and theorist of medieval and Renaissance art, as well as contemporary art and image theory. He was born in Andernach, Germany, and studied at the universities of Mainz and Rome, and took his doctorate in art history at the University of Mainz. Subsequently he has held a fellowship at Dumbarton Oaks (Harvard University), Washington, D.C.. Belting taught as a professor at the University of Hamburg in 1966.〔(IconClash - Hans Belting page )〕 He taught as a professor of art history at the University of Heidelberg, and from 1980 to 1992 as a professor at the Ludwig-Maximilians-Universität at Munich. From 1992 until his retirement in 2002, he was professor at the Institute for Art History and Media Theory at the State College of Design in Karlsruhe.〔(Chicago School of Media )〕 From October 2004 until the end of September 2007, Belting served as Director of the Internationalen Forschungszentrums Kulturwissenschaften (International Research Centre for Cultural Studies) in Vienna.〔http://idw-online.de/pages/de/news238948〕 Belting is a member of various scientific academies in Germany and the U.S., including the Heidelberg Academy of Sciences, a fellow of the Wissenschaftskolleg in Berlin, and honorary member of the Zentrum für Literatur- und Kulturforschung Berlin (since 2006). He is a member of the Order pour le Mérite of Arts and Sciences〔http://www.akademie3000.de/en/content/referenten/belting.htm〕 and a member of the Board of Trustees of the Museum of Modern Art Ludwig Foundation Vienna (MUMOK). He was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1992.〔(【引用サイトリンク】url=http://www.amacad.org/publications/BookofMembers/ChapterB.pdf )〕 Belting published his first monograph in 1962 (''Die Basilica dei Ss. Martiri in Cimitile'') and since then has authored more than thirty books, some of them translated into various languages. His essay ''The End of Art History?'' attracted considerable attention and Belting expanded it in successive editions.〔''Das Ende der Kunstgeschichte ?''(1983) was first read at a conference held at the Munich University in 1980, and ten years later as revised as ''Das Ende der Kunstgeschichte : eine Revision nach zehn Jahren'', 1995 (ISBN 3-406-38543-5); an English translation was produced as ''Art History after Modernism'', Chicago, 2003 (ISBN 0226041840)〕 ==Works== *''Faces: Eine Geschichte des Gesichts'', München: C. H. Beck, München. 2013 *''Florence and Baghdad: Renaissance Art and Arab Science'' 2011 *''Looking through Duchamp's Door'' 2010 *''Hieronymus Bosch: Garden of Earthly Delights'' 2005 *''Art History after Modernism'' by Hans Belting, Mitch Cohen and Kenneth J. Northcott 2003 *''The Invisible Masterpiece'' 2001 *''Thomas Struth: Museum Photographs'' by Hans Belting and Thomas Struth 2001 *''The Germans and Their Art: A Troublesome Relationship'' 1998 *''Likeness and Presence: A History of the Image before the Era of Art'' 1997 *''Max Beckmann: Tradition as a Problem in Modern Art'' 1989 *''The End of the History of Art?'' 1987 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Hans Belting」の詳細全文を読む スポンサード リンク
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